GOTHIC

by Mary Phelan

In 841, AWN Pugin, an architect and writer published his book, The True Principles of Pointed or Christian Architecture. The following two decades saw the Gothic revival in architecture. Public buildings, especially churches, schools and railway stations were built with the spires, hipped roofs and arched windows that characterized the Gothic.

In domestic architecture the vogue had already been established. In 1748 Horace Walpole began to ‘gothicize’ his villa at Strawberry Hill, Twickenham. By late Victorian times, the fashion for Gothic architecture had moved from the country villa to the town house. But town houses, in the form of the suburbs, were rapidly spreading into the countryside. Typically built during the 1880’s and 1890’s, the Gothic house is asymmetrical, the elements being organised to complement or even contradict one another. This heightens the overall eccentric feel of the building.

Elements of a gothic house can include an asymmetrical façade with an assortment of windows i.e. arched, bayed, and lancet. The main entrance is concealed rather than announced and much attention is paid to decorative details like finials, capitals, battlements and turrets. In the 1880’s terra cotta was commercially manufactured for the first time and then widely used to make buildings fashionably polychromic.

Gothic architecture teases our senses, hinting at what might be hidden. You just know that that turreted house with the hipped roof and the lancet windows has a corpse in the basement, or a skeleton in the cupboard or a spectre in the bedroom. The Gothic was an antidote to the Classicism of the eighteenth century. The eccentric building references connected to the visceral, the well of feeling that is the birthright of us all.

Where in London..?

Pancras Station, Euston Road.

Links andBooks

artyfacts.info/Buildings

Victorian Architecture, by Roger Dixon and Stefan Muthesius, Thames and Hudson, London, 1978.

Romanticism and Art, by William Vaughan, Thames and Hudson, London, 1978 and 1974.

Copyright © Artyfacts 2005.